Merry Christmas!

I am supporting my friend for some giveaways. So here it goes:


Celebrate Christmas 2010 with Sulit.com.ph, the leading online classified ads and buy and sell website in the Philippines.

Bedtime Story

Robert J. Wiersema's new novel, Bedtime Story, was one of the books that I most eagerly anticipated this publishing season, and it fully lived up to my expectations. It's a book about being swept away by reading, the reading of which utterly swept me away. I won't say any more than that by way of preamble, as I don't want to give away a single plot twist, but I'm confident that you'll find much to pique your interest in it in my interview with Robert below.

Call for Presentations: L.M. Montgomery and the Leaskdale Years (1911-1926)

The Lucy Maud Montgomery Society of Ontario is hosting a three-day celebration in October 2011 to mark the centenary of L.M. Montgomery's arrival in Leaskdale, Ontario from Prince Edward Island. You can see from the above poster that they've already got a number of speakers lined up for the event (yes, I'm giddy to be included on the list among so many of my LMM scholar heroes!). But they're also putting out a general call for proposals for 20-minute presentations that focus on Montgomery in the Leaskdale years (1911-1926). Proposals of 200-250 words should be sent to lclement@lakeheadu.ca by January 5, 2011.

Talk: L.M. Montgomery's Legal Battles with Her Publisher

I'll be giving a talk on Friday afternoon at Osgoode Hall Law School, York University, in Toronto on L.M. Montgomery's legal battles with her first U.S. publisher, L.C. Page and Company. The event is the first Feminist Friday of the year, part of a series hosted by Osgoode's Institute for Feminist Legal Studies. It's open to the public, and I expect it will be good fun, so please come if you're in Toronto and you're interested in hearing me and my colleague Shelley Kierstead speak. Also, I understand that Osgoode's new dean, Lorne Sossin, has graciously agreed to serve as commentator. You can find all the details on the poster below:



And if you need help finding Osgoode Hall Law School on the York University campus, maps are available here.

Anne of Ingleside

After this latest reread, Anne of Ingleside remains my least favourite Anne book, and my least favourite but one L.M. Montgomery novel. Anne's children are noxiously cute and her perfect motherhood cloying. But I'm glad to have dipped back into it all the same for the dark undercurrent in it that intrigues me. I remembered the story of Peter Kirk's funeral, and of Anne and Gilbert's anniversary reunion with Christine Stuart as strong points of the book. But I don't think that I'd noticed before that most of the rest of the episodes in it, even the cutesy kid ones, are also tales of disillusionment. I'm looking forward to reading The Blythes are Quoted with this fresh in my mind and thinking about these books together as examplars of what editor Benjamin Lefebvre terms Montgomery's "late style." Also, speaking of style, this time around I appreciated how well structured Anne of Ingleside is, weaving deftly through seasons and years and in and out of key moments in different characters' lives, and thereby painting a rich picture of the Blythe household and the broader Glen St. Mary community. Finally, the meeting of Susan Baker and Rebecca Dew, two of my favourite characters in Montgomery's oeuvre and indeed in literature generally, is in itself worth the price of admission. What fun Montgomery must have had writing that bit of dialogue and the correspondence that followed. On now to a reread of Rainbow Valley.

A Continential Litarary Culture

An interesting snippet from one of my current reads, Nick Mount's When Canadian Literature Moved to New York, a book that traces the roots of what ultimately became a canonical Canadian literature to "the cafés, publishing offices, and boarding houses of late-nineteenth-century New York":

The problems confronting domestic literary production were real, but the domestic market was not the only option for Canadian writers of this generation: they also had access by mail or in person to the much larger American market, a market that by this time included Canada. Canadians had few home-grown literary models, but the flood of American magazines and American books into Canada provided models for them, models that had become features of a North American literary landscape. At a professional level, the decision by so many Canadian writers of these years to move to American cities wasn't about giving up one national literary culture for another; it was about moving from the margins to the centres of a continental literary culture.

My primary interest in this literary period is in L.M. Montgomery, one of the few Canadian writers who stayed at home. But the expatriates whose late 19th century exodus to the United States preoccupies Mount were Montgomery's precursors and contemporaries, her role models and her colleagues. Their markets were her markets. She may have stayed home physically, resisting the lure of New York as did her writer-character Emily Byrd Starr, but she built her career on the publication of stories in U.S. magazines and of novels by U.S. publishing houses. So Mount's book provides a context that I think will prove very helpful in developing a fuller understanding of Montgomery's career, even though she herself receives only a few passing mentions in it. As you can imagine from the passage quoted above though, the book also offers much food for thought in considering Canadian literature more broadly, now as then evolving in a global context. So far, a most intriguing read.

Hide More than They Reveal

National Divisions Hide More than They Reveal

Another passage from Nick Mount's When Canadian Literature Moved to New York that I can't resist sharing:

But however legitimate a concern for cultural nationalists, for the literary historian, national divisions hide more than they reveal. A national focus was essential for recognizing Canadian literature's arrival, and it remains essential for periodically reaffirming its health, but it cannot explain the actual circumstances of much of that literature's production. No national model can account for [Bliss] Carman writing the first of his Vagabondia poems after reading an English law book in a New York library, or for Palmer Cox creating his Brownies by combining the Scottish legends he heard as a child in Quebec with the skills he acquired as a cartoonist in California, or for Ernest Thompson Seton submitting his career-launching story about a New Mexico wolf to a New York magazine because he was urged to do so by a Toronto economist⎯or indeed for the circumstances that produced any literary work, in any literature.

Late 19th century focus notwithstanding, this still resonates today. For a bit more on Mount's book, see my post below.